Monday, August 29, 2011

Scrap Happy


Well- I was going to inform everyone that I had a few more textile kits up in the shop...


...but they're already all spoken for- and three custom ones on order! There were some very crafty tigers all ready to pounce.


I shall have some more up by next Sunday, but I must say it makes my heart glad to sell these kits.


I think when all is said and done I'd rather sell a kit than a finished piece of jewelry.


There's an enormous sense of pride in offering materials to people, it's lovely to think my creative efforts are furthering other people's. I have more to say about this but I shall do so next time when I have some interesting photos to show you full of related things.


In the meantime you can amuse yourself with these images of gorgeous things making their way to the antique shop soon (this week cross fingers!)


I'm also working on a post about relevancy- that mysterious beast that has many people pulling their hair out over at the big orange rectangle. If you're unaware, Etsy has recently changed their search engine so results come up by relevancy instead of 'most recent'.


What's that? You didn't get an email about this? Welcome to Etsy- no one did. You can read the announcement here. For the record I think this is a smashing move, but Etsy are not doing themselves any favours hiding under the table while the forum descends into a near warzone between the 'for its' and 'aggin its'. (Props to HeyMichelle who seems to have braved the fray this morning.)


Isn't this the sweetest card? Oh for the days when you could only send via post, and it would actually get there on time. There's currently a 10 day delay on parcels coming in from the US and I'm running out of patience for my new supplies to arrive! I have plans, Australia Post.

Saturday, August 27, 2011

Dainties

Some potterings to report...

Two new cuffs in the shop, they were rescued from the 'don't like it' pile and once they'd had their bleakness removed there wasn't much more to do.

fate

I like the minimal 'just lace' look they have, nothing I placed over the top seemed to suit them, so they go out (almost) naked.

And a pair of earrings which I quite like the colour of! Love that 50s teal with the dusty pink. Reminds me of picnics as a kid- I think because of the anodised cups we had.


I've 'done' another load of laces I found that were all unattractive colours- one swift bucket of dye remover later and they're filled with sherbet sweetness.


Some of this will go into packs! Hooray!


Also a parcel came in the mail with the sweetest beads, ordered from vixenandvelocity - who turned out to be an alter-ego of shipwreckdandy! (There's me neglecting to read a shop announcement.) She very generously sent me some of her polymer clay beads as well:


Aren't they the darnedest!? I love that you can see fingerprints in them, but I especially love those faceted ones, they remind me of ruined futuristic cities.

Inspires me to get a move on and make my own polymer beads (being that I unearthed a tub of clay I forgot I had on the last studio purge). But of course for any serious crafting to take place the desk must be cleaned off, for it is covered in fabric for kits. Creativity happens one step at a time here.

Thursday, August 25, 2011

checking up on you

How is everyone coming along with their backgrounds? Good I hope! I've been hearing good things from a few people- Charlene over at The Bead Dreamer wrote to me about working on her backgrounds (and said something really interesting about readiness). Ellen (who makes delicious beads!) showed me her blog where she posted about changing her backgrounds- as you can see from her post the darker background really sets of the finish of the beads!


The picture above was pinched from Kim's blog- she's been experimenting with backgrounds and these TO-DIE-FOR earrings look so pretty in their layerings of paper, that blue board brings out the enamel on the medals perfectly.


Here's Fanci being awesome - the shabby pink (my total favourite colour right now) of this necklace is nicely contrasted by the dusty green (another total favourite colour right now).


Look at this one! (fanci again.) the white beads just POP off the screen with that rich red underneath. Boy it's starting to look a bit like me and fanci and Kim are evolving into one three-headed hydra of awesome! We influence each other so much, but I love it. We all still have our own spark. My girls. I should note though that even though this post is decorated with them, you don't have to use a layering of papers under your work. Who's using something else? Trays? Tiles? Backs of pictures?

I've learned something myself lately- by spreading the consistency through to my antique shop, I've bought my two most active shops together under the one look.


Now when people see my Fagin listings they'll recognise my background (cause I'm that famous...) and realise it's my other shop. Additionally, I used to put off updating the antique shop because it's gloomy angle was making me glum. (Is glum the past tense of gloomy or does it just look that way?) So by adding in some colour by way of background it cheers up even the Victorian mourning stuff, and suddenly things are looking very English farmhouse in the 1960s. My secret dork rule for if the shop looks right is me looking at it and thinking 'does it remind me of the Weasley's house?' and if I say yes then we're good.

Tuesday, August 23, 2011

passing through

I know I've not put some new work up for a while now- it's coming! I have some cuffs that are nearly finished, and some brooches and stuff. I should have some new work up by Sunday as well as some cracking new DIY kits, so all of you who are holding out for new rags- not much longer!

Here's a very pretty picture from shooting for the antique shop this week. I'm trying to get some things up there too, hoping for a mah-ha-hassive (that's my Dr.Cox impersonation) update on victorian buttons because I have a massive shoe box full and I want them out from under the desk and into the hands of people who love them.


And here's a picture of a kookaburra sitting on the neighbour's washing line. Because that's how we roll in Australia.


Sunday, August 21, 2011

Sparrow Country


1. 0906_Chicamacomico Station_0046-Edit, 2. Untitled, 3. peeping again, 4. Vintage Wallpapers, 5. Baxter House - dining room, 6. rest, 7. all dyed in the backyard, 8. new fabric, 9. Dining room, 10. Untitled, 11. Untitled, 12. "for your 8 track playing needs" @ never be nervous again house, 13. Campbell [?] Homestead - dining room, 14. Quilt blue fern, 15. IMG_9384, 16. Untitled


This mosaic really reflects the colours, textures and materials that I'm wanting to work with lately, but I've yet to find a descriptive term for it- for now it's just Sparrow country.

It's a little bit shabby cottage and nana chic, with some bohemian grunge mixed in. Add equal parts of Rachel Ashwell and Dottie Angel, blend with Regency period film style and drag the whole lot backwards through a hedge. Then lay in the sun and have a picnic.

What should I call it? English summer vintage? Romantic grunge? Shabby pop? I feel the need to label things- it irks me when I can't call a spade an upright landscape manipulation tool!

Monday, August 15, 2011

Back stage with the Sparrow- or how to get good background.


Backgrounds!! That was sudden wasn't it? But yes here we are, the long awaited backgrounds post, the purpose of which is to teach you the best way to present your product, whether it's handmade, vintage or supplies.You might not think it's that big a deal, but trust me- it's crucial!

The purpose of the background is not only to showcase your item but also to give you shop an overall 'vibe'- or what the marketing chaps call 'brand concept'. I'm going to talk about 4 main areas- light, dark, patterned and colour. Light ones will make your shop look bright and airy, dark ones will give you drama, patterns will give you an opulence either way and colour will give you vibrancy.

In order to pick the best background for your product, you have to first do what I'm always telling you to do- know your market! Figure out who's most likely to buy your goods and market them accordingly. This of course may change over time, but as an example, in all the styles I've gone through there's a strong theme of romance, because I make romantic jewelry. Even if your jewelery doesn't look particularly 'of a style', you can still make it so- from coloured enamel beads to one of a kind vintage assemblage. Here's a pair of earrings I made in as modern a way as I can manage:

These are what Kim and I call 'hipster bait' -they're a pretty straight forward design, popular with many fashionable alternatives right now. Not much that's romantic about them, in fact they look a little bit cold (I think) with all their straight lines and silver white. But they look especially cold when shot in this style of most hipster shops- plain white background. Now then- if I shoot them on something romantic like old paper, they suddenly change:

A warmth comes into them. The earrings haven't changed, but there's a noticeably more attractive quality about them. Watch what happens the more romantic layering I use...

By the time we get to that last image, these earrings might as well be in the arms of Mr.Darcy for all their romantic saturation. With this deep layering of fluff and ruffles, I can shoot almost anything and it'll look romantic.

See?

So now you see that it's very important your background matches your desired style because it will affect your product and your overall shop style. it will effectively dictate the style of your shop possibly more than your work will.

OK, let's talk pale backgrounds. A couple of you commented that you shoot your product on plain white backgrounds and it's become boring- not surprising! Though Etsy's front page seems to favour the bright white background, it can become tired. But you can use a pale background and still have your shop look lovely and non-boring, and the key to this is texture.

Texture is what makes things interesting. A white sheet of office paper is boring because it has no texture. But a sheet of artist's watercolour paper is more interesting, because it's uneven surface reflects the light in a more natural way.

White on white is often used to create a fresh, clean look- just be sure to use 'warm' whites- ones that are more creamy, boney colours, to avoid a cold feeling.

if you like the look of white on white but don't want your shop looking too bright, you can add some darker browns in there -stick with a neutral palette when using white-on-white, colour will take you in a whole other direction which we'll talk about in a bit. In the picture below I've angled the stack so you get a bit of the dark brown underneath- this has 'mellowed' the light, giving a more earthiness and toning down the 'bright summer's day' feeling, while still keeping the clean feel.

If you can get your pale background to have texture, then it will instantly become not boring. Lilyja has a great pale textured background, caramelsafari does a great job too. Both have just that little bit of texture that you don't really notice until you're looking at it.

Now, depending on what you're shooting, white backgrounds can be tricky. Colour generally does well against a white background, no matter how bright it is, but if you sell something that's dark, the white background is going to prevent you from showing good product details. If you sell something that's pale, shooting on a white background is going to bleach our your product. For artistic and blog shots it's fine, but given that items on our Etsy shop front are represented in such small images, we need that first image to pop.

In the pic above, the item is starting to get 'lost' in the white on white theme. It's not a terrible photo, just a bit boring. In the picture below the background has become slightly darker than the item, thereby making it 'pop' out of the image and become more noticeable.

Also, by adding texture to the picture we've created a more dynamic image- because the buttons are small I kept the texture to the side so as not to crowd them out- we'll talk about that more later.

Okay- now let's talk about Dark backgrounds. These are often avoided due to their low-light nature, but looking around on Etsy you'll see a lot of shops successfully using the dark background. Up until recently changing my look, I used a dark background well (if I do say so myself). Other good shops with a dark background include Now Vintage and obsequies. The main benefit of a dark background is drama and the key to making it work is having the right light and good tonal variation.

Tonal variation is a natural part of the world around us. Look at a blackbird, or a black orchid- they're not exactly black, there are patches of brown, grey, purple or blue because of the way the light reflects on the surface. So you want to replicate that using backgrounds that are in some way natural, faded or worn down. Chalkboard, slate and worn book covers are all good sources of dark backgrounds.

Dark backgrounds will make bright things such as sterling silver jewelry or white lace look dramatic and give your shop a gothic or elegant noir edge. The best use of dark backgrounds I think is to help black things show their detail- if you've ever tried shooting dark or black patterned items, you know how frustrating it can be to capture that detail. Using a dark background might seem like a bad idea- being that they're both dark they'd fade into each other. But like white-on-white, dark on dark works good too.

The key to a good dark on dark is lighting- you want some reflected light from your item to highlight pattern and form. When shooting dark on dark your best friend is deep and low angles. (As above.) Straight bird's eye can work on some things, but generally speaking low angles are better. Low angles are also good for small things, it adds an intimacy that people relate to. You don't want people ordering from you like you're a medical supplies catalogue, you want them to desire your work! They must have it!

just as shooting white on white needs a darker background than the object, dark on dark needs the opposite. the background should be lighter than the object, so that your item looks deep and rich.

Of course, you might have a few things that are black and you need to show detail, but you don't want your shop taken up with darkness. This is where layering comes in- just like adding the dark brown background under the white stack above gave us a mellowness, layering your black under a paler background will lighten the mood.

In the pic above I stacked white pages up and topped them with an antique ring box, which has a nice distressed finish and a brown tin plate to soften the jump between black and white. It doesn't make the picture too dark but it enables the detail in the buttons to be shown. When you do this make sure you use things that are no brighter than rich cream, and try to have light dark and midtones in there, again to soften the jump.

Here's an example of dark on dark not working- the lace relies on being transparent to show it's beauty, and the dark book board underneath isn't showing us that. Below is the solution- a scrap of light paper has been placed under the lace, allowing the linework to show through. If you want to keep a dramatic look to the image, allow as little of the light page in the frame as you can. Here the layers of darker opulent textures and pattern keep the image feeling rich.

Okay- now I want to move on to patterned backgrounds. Patterned backgrounds can be tricky as they tend to become the overwhelming element in an image, so many people advise against them. Personally though I think they're fine, providing they're subdued; ideally the pattern will be sparse and faded, more of a hint of pattern than an actual obvious design. Texture often counts as pattern as well, if it's rich enough.

Here I've got a selection of my patterned backgrounds. (You can see the details of what's what in my Flickr.) You'll notice a beautifully patterned end paper there- but wait a second... that's bold isn't it? Didn't I just say no boldness? Yes I did, but of course, like most rules, this one can be bent! Provided your item is bolder than the pattern, you can use it with no trouble.

In the image above, the background used is a photo album cover that's become shredded with age - it's intense texture makes a great pattern. But it's so highly textured that the earrings are lost in the pattern- great for an artist shot, but hardly making them stand out as a product.

Above you can see that the shredded silk has been put to better use with a pale and rather large item instead. The pattern/texture is still a part of the shot, but isn't overwhelming things. The general rule you is you must be careful that your background isn't more fabulous than your product (and it's getting dangerously close above!). Think of it like a wedding- you want everything to be beautiful, but the brightest star is the bride. Your item is the bride.

If you have a pattern that you really want to use but you're worried it's overpowering things, you can use it as a layer in a stack like the one below (on the right).



On the left you have a necklace straight onto the pattern- it's looking a bit cluttered. By adding the blank page underneath and keeping the pattern just as a border, the necklace stands out more. This is a great way of adding that shabby cluttered look to your shop that pattern will give without losing the showcasing properties. below the detail of the earrings is showcased by having a plain background under them, but the image remains opulent due to the pattern and texture around it.


One other thing- small things can get lost on pattern, so it's a good idea to encase them in something. I often use a tiny dish or tray- it keeps the opulence of a patterned shot but makes a lot of tiny things essentially into one large thing.


So if you have a patterned background you want to use, experiment with it! One of my favourite shops with a patterned background is pinkgrapefruit - she manages to blend bright pattern and vintage objects together that make for delicious photos. BirdSongStudio does a good job too- her background is faded and doesn't detract from her supplies- in fact it enhances them, which is your background's main job.

Let's talk briefly about colour on colour- that is a coloured item on coloured background. You need to pay a bit more attention here, because the colours you use will have an impact on the item.

I've only just started investigating colour and already I can see what a huge difference it makes. But I've also quickly learned that the right colour is crucial to representing the item in it's best light.

Here's there's a riot of colour! the earrings are coloured, the backgrounds are all kinds of crazy rainbow- it's too much. For this to be a showcase of the earrings it needs to tone down.


Above you can see the earrings are now showcased well- they're on a pale (contrasting) background which makes their dark colours stand out, and the yellow and red either side echo the colours in the beads.

Above, the camera is angled so the red board isn't seen, and the yellow is bringing the gold tones forward.

In the image below, the red board is dominant, and the earrings appear more rich and deep.It might seem pedantic but it's a nice little tip that will help you 'see' what's the best background for your item.

So you can see from this mamoth post that there are lots of things to think about, and just choosing one background is going to be very tricky. Well good! You should mix around and change things depending on what it is you're shooting. Not only to best showcase your item, but for interest's sake. Using 3 -5 different backgrounds will 'break up' the monotony of your shop front and keep things interesting. You can see in my shop that I have largely the same backdrop, but I've changed around the stack and made some pages more dominant in some shots. This makes things cohesive and interesting at the same time.

So- in the next couple of days I want you to wander around your house/studio and find a bunch of things you might like to use for backgrounds. keep in mind your target market and shop's brand image; choose light, dark, and patterned things. (And colour too if you're this way inclined.) Don't just look at book pages, think about trays, picture frame backs, the tops of old boxes, textile pieces, linoleum offcuts, wallpaper, etc. Spend time arranging them against each other (remember the bridal theory) and take some photos- things look different in camera so don't trust your observing eye to see all.

When you've found the backgrounds you like, take an item of yours and try shooting it against them. If you have a blog it would be really great to blog it- it helps pass the knowledge along, and don't forget to give me a link so I can come along and give you any extra advice you might need. If you don't have a blog or you'd prefer a more private approach, feel free to email me from this blog's address (see my profile) and I'll help out.

Yes, it's going to take time to get this right, and time is something precious to many of us. But we all know quality takes time and practice makes perfect. There really is no cheating on this stuff. Well actually learning all this from me is kind of cheating! I'm happy to pass on what I know, and I've learned a few things myself just from doing this. It's taken me over a week to compile all this, but the driving force is to help you become better photographers and online merchants.


Questions? Ranting? Excuses? Drop them in a comment- I'll follow you up as best I can.

The next photography post will come when it happens, probably in the next 2 weeks. As to what it will be about, I don't know yet! (Suggestions welcomed.) In the meantime I'm working on a quick 'how to' regarding fake vintage supplies; there's a ton of 'vintage' out there and it's often frustrating to me the things that are listed as vintage but aren't, because I like to know the pieces in my work really are vintage if I say they are. I have a few tips and tricks to sniff out the chalk from the cheese which I'd like to pass on to you. Man you get some great free info from me, huh? You lucky things.

note- all the images here were virtually unedited- just resizing and auto levels. I wanted this post to be about the backgrounds, not sexy photography! And yes it was hard not to tinker with them- my inner perfectionist is in a terrible mood now!